Two Lines and


“If it is so difficult to begin, imagine

what it will be to end—“--Louise Glück


You settle into the grass and your body kneels apart, line by line vowels only

parse by parse the trace you saw in the mirror earlier in the morning, syllable 

and rhyme and the brushstroke a teacher once commanded clutching a wrist and two fingers

life plucked down on rice paper, on your forehead now, two lines in the swirl of time and dark ink

trees, someone’s word’s and smoke on the hill,

the rivers of age fingered into a bend by the cracking of the skin’s dendrochronology 

syllables she once traced as rivulets of time on another’s skin, now

into two with her tongue and the abracadabra she knew not yet the meaning of 

or a simple hurt

"Awake, you’re an old man whose skin is parchment folded

 yet

asleep you are a child whose peace haunts  

so that I cannot,          undress me."

up look tracing as needle and thread, bucket lass and pivot, the demarcations 

death comes predatorily like the algebra of language

the pine trees sway like horsehair fingered by a reckless learner,

the aunties and uncles beside parents, grandmother and the children and the derange森林

the forest of lives, a ghost branch clatters in the underbrush killing generationally

kindling 

the poem that burns away the undergrowth of the dried words you placed on the forehead

raucous, awkward and jingling, sister

the body’s swoosh so difficult to begin or unlearn


black tension wire, sun-stiffened serpents run for higher ground

steel fuselage rabbiting the hutch above the curvature of spun light

and the stripes of your pulled-over-your-head moment, field-plowed red suffusing the pale intent

that quivers in frown or opens mouth-wife with a laugh or thought

recognize a thought scattered as tributary as the power lines mentioned above shaping

life made us taxable, love made us intractable and bewildered

you softened in the bathroom’s obdurate light, the pine branch pregnant under sparrows’ weight

a manufactured plastic swaying

jet-fuel calligraphy racing beneath the belly of the summer's solstice

have you ever wondered why

as the afternoon pulls its shades slowly down and the mustard jar impossibly night

everything loosens but the lids and joints

the groves of your face or the barrows of her words, divesting


does it even matter, much longer


excavating, pulled apart like the village alleys and buildings along Three Gorges or Don Valley

the sky meter-marked in red

the history books warred over such things

words written as such, Qing dynasty carvings forgotten in the underbrush

in hope they would be remembered

will you and me

set adrift, the stars un-anchor'd in their great swerve and traducing

these small hyenas of locution

diphthongs when read, grass stains on butts and thighs, thumb nail when read

were the history books written

was it possible to sleep in the cove of your grandfather’s bunk, vocabulary riding high the sea

was the world aligned to meet the breach as you pulled your knees up and out  

the cavern of a white shirt bespoke by a Hong Kong tailer, the failing breath

the great spin of the world in the Flowing Lake over the shoulder of Taitung

river this, toss that, a sibilant sowed up by a corner vendor’s bark

calling her food to the customers as if a prayer in Night Market

Beitou, Beitou, milk-fish


the scar that mapped the territory between your pelvis and heartbeat

the small gap your forelock governed over, your ear

the word, 長城, inked on your wrist, a country and the steep climb in a stanza left in bed

the scurrying of the wind, those tiny rodent steps, beckoning

the sea but a throw away when turning

the world has such small hands that sleep neatly in our mouths

the world has such long nails that mark an old man’s forehead and cruch

in between the silence and the noise

language’s batter and battle run in 

what will it be to end, hard


we were all ocean and tree carcass breaking wide

doxology long-sung upon our knees as we learned 

speech, and

we plunged leeward as the poems went missing and everything we imagined

plunked and opened and our bodies missed

our songs forever restless falling feverish eternal toward the Eastern emerald sea